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Art Nouveau (French pronunciation: [aʁ nuvo], Anglicised to /ˈɑrt nuːˈvoʊ/) is an international movement and style of art, architecture and applied art—especially the decorative arts—that peaked in popularity at the turn of the 20th century (1890–1905). The name 'Art Nouveau' is French for 'new art'. It is also known as Jugendstil, German for 'youth style', named after the magazine Jugend, which promoted it, and in Italy, Stile Liberty from the department store in London, Liberty & Co., which popularised the style. A reaction to academic art of the 19th century, it is characterized by organic, especially floral and other plant-inspired motifs, as well as highly stylized, flowing curvilinear forms. Art Nouveau is an approach to design according to which artists should work on everything from architecture to furniture, making art part of everyday life. The movement was strongly influenced by Czech artist Alphonse Mucha, when Mucha produced a lithographed poster, which appeared on 1 January 1895 in the streets of Paris as an advertisement for the play Gismonda by Victorien Sardou, starring Sarah Bernhardt. It was an overnight sensation, and announced the new artistic style and its creator to the citizens of Paris. Initially called the Style Mucha, (Mucha Style), this soon became known as Art Nouveau. Art Nouveau's fifteen-year peak was most strongly felt throughout Europe—from Glasgow to Moscow to Madrid—but its influence was global. Hence, it is known in various guises with frequent localised tendencies. In France, Hector Guimard's metro entrances shaped the landscape of Paris and Emile Gallé was at the center of the school of thought in Nancy. Victor Horta had a decisive impact on architecture in Belgium. Magazines like Jugend helped spread the style in Germany, especially as a graphic artform, while the Vienna Secessionists influenced art and architecture throughout Austria-Hungary. Art Nouveau was also a movement of distinct individuals such as Gustav Klimt, Charles Rennie Mackintosh, Alphonse Mucha, René Lalique, Antoni Gaudí and Louis Comfort Tiffany, each of whom interpreted it in their own individual manner. Although Art Nouveau fell out of favour with the arrival of 20th-century modernist styles, it is seen today as an important bridge between the historicism of Neoclassicism and modernism. Furthermore, Art Nouveau monuments are now recognized by UNESCO on their World Heritage List as significant contributions to cultural heritage. The historic center of Riga, Latvia, with "the finest collection of art nouveau buildings in Europe", was inscribed on the list in 1997 in part because of the "quality and the quantity of its Art Nouveau/Jugendstil architecture", and four Brussels town houses by Victor Horta were included in 2000 as "works of human creative genius" that are "outstanding examples of Art Nouveau architecture brilliantly illustrating the transition from the 19th to the 20th century in art, thought, and society". It later influenced psychedelic art, which flourished in the 1960s and 1970s

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''Liseuse'' (The Reader), Bronze Statue by Albert Carrier-Belleuse (French, 1824-1887) An Hour of the Night Bronze Statue by Joseph Michel-Ange Pollet (1814 - 1870) Art Deco Angel Bronze Study after Adolph Alexander Weinman Limited Edition #1 of 7
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''Liseuse'' (The Reader), by Albert Carrier-Belleuse (French, 1824-1887), An Hour of the Night Bronze Statue by Joseph Michel-Ange Pollet Art Deco Angel Bronze Study after Adolph Alexander Weinman

Albert-Ernest Carrier-Belleuse began his training as a goldsmith's apprentice. In 1840 Pierre-Jean David d'Angers sponsored him for the École des Beaux-Arts. He stayed only briefly, moving to the Petite École to study decorative arts instead. Between 1850 and 1855, Carrier-Belleuse worked in England, designing ceramics and metalwork models for companies like Wedgwood. From 1857 he exhibited large-scale sculptures at the Salon, where he garnered medals and commissions from important patrons. Emperor Napoléon III employed him in public projects during the massive rebuilding of Paris from 1851 to 1870.Carrier-Belleuse had a sharp sense of how to combine historical elements with new technologies and the process of mass production. In his workshop, students like Auguste Rodin learned the value of series, editions, and variations made alongside unique, monumental Salon submissions. His work encompassed all manner of sculptural subjects and materials, and his naturalism incorporated a breadth of styles: unembellished Realism, neo-Baroque exuberance, and Rococo elegance. He consistently opposed, however, the static poses and idealizing tendencies of Neoclassicism. His torchères for the Paris Opéra were typical: he combined figures inspired by sixteenth-century sculptors with electrotyping, a new process for replicating three-dimensional objects. Beginning in 1876 Carrier-Belleuse revitalized the Sèvres porcelain manufactory as its artistic director.

He studied in Italy and Belgium, and in 1844 settled in Paris. His principal works are "Esmeralda," "The Duke of Brabant at Brussels," and a colossal bust of " France." His " Hour of the Night," at St. Cloud.

Adolph Alexander Weinman (December 11, 1870 – August 8, 1952) was an American sculptor, German born in Karlsruhe, Germany"

Art Deco Bronze Sculpture Radha by Paul Philippe (1870-1930) Art Nouveau The Torch Lady by Agathon Léonard Bronze Mantel Clock Works Lyre Player Statue
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Radha by Paul Philippe Art Nouveau The Torch Lady by Agathon Léonard Bronze Mantel Clock Works Lyre Player Statue

Displayed is a bronze study of Philippe's "Radha.

Agathon Léonard or Léonard Agathon van Weydevelt (1841 Lille - 1923 Paris), was a French Art Nouveau sculptor.

Athena is the goddess of war, civilization, wisdom, strength, strategy, crafts, justice and skill in Greek mythology. Minerva, Athena's Roman incarnation, embodies similar attributes. Athena is also a shrewd companion of heroes and the goddess of heroic endeavour. She is the virgin patron of Athens. The Athenians built the Parthenon on the Acropolis of her namesake city, Athens, in her honour (Athena Parthenos).
Bronze Mermaid Bowl Pitcher Bronze Statue Florist Mercury Hermes Caduceus Mythology Profit Bronze Statue by Giovanni da Bologna Nude Figure Bronze Statue by Ersnt Seger (1868-1939)
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Bronze Bowl Pitcher Urn Bronze Statue Florist Hermes Mercury god by Giovanni da Bologna Nude Figure Bronze Statue by Ersnt Seger

Displayed is a unique classical style bronze bowl/pitcher.

Hermes (pronounced /ˈhɜrmiːz/; Greek Ἑρμῆς) is the great messenger of the gods in Greek mythology and additionally as a guide to the Underworld
In the Period of National Socialism the German born artist was a respected artist in for the state Majolica Manufactory Karlsruhe he created a Adolf Hitler Capita in Majolica. 1938 Seger was on the Great German Art Exhibition in Munich House of German Art represented with three bronze sculptures, including a Ringwerferin..

Pandora carried off by Mercury Vincent Desire Faure de Brousse Psyche with Oil Lamp Bronze Statue by Eugene Laurent Reine Des Pres Bronze Statue by Auguste Moreau
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Pandora carried off by Mercury Faure de Brousse Psyche with Oil Lamp Bronze Statue by Eugene Laurent Reine Des Pres Bronze Statue by Auguste Moreau
The French sculptor Vincent Desire Faure de Brousse worked in the late 19th century and exhibited in the 1876 Salon--an annual Paris art exhibition. He was famous for creating Florentine-Renaissance-style sculptures
In Greek mythology, Psyche was the deification of the human soul. She was portrayed in ancient mosaics as a goddess with butterfly wings.

Born in Dijon, France, Moreau was the son of sculptor/painter Jean-Baptiste Moreau. Although famous as a provider of roulant blanc (the rough parts supplied to watchmakers for encasement), he is first and foremost known for his Art Nouveau sculptures mainly of delicate, playful young girls provocatively clad in diaphanous dresses. A student of Mathurin Moreau, he regularly exhibited his bronze sculptures in the Parisian Salons.

Samson Wrestling a Lion Bronze Statue Study Surreptitious Rapture in the Wind nude Bronze Sculpture
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Samson Wrestling a Lion Bronze Statue Study Art Nouveau Nude Bronze

Samson is a Herculean figure, who is granted tremendous strength by God to combat his enemies and perform heroic feats unachievable by ordinary humans: wrestling a lion, slaying an entire army with only a donkey jawbone, and destroying a temple.

This is an exquisitely detailed HOT CASTED bronze Nude woman almost engulfed by what appears to be a huge shawl swept by the wind. signed Francois

   
 
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